
Ejaa's Complete Pahadi Silver Jewellery Collection: Every Type Explained

There's something about Pahadi silver that feels different. The weight of it. The way a jhumki catches light is different from anything you'd find in a city mall. Or how a Pahuchi sits on your wrist like it was always meant to be there.
At Ejaa, every piece in our collection tells a story rooted in the mountains of Uttarakhand in Kumaoni craftsmanship, 200-year-old moulds, and the kind of design sensibility that only comes from growing up with this jewellery. But if you're new to Pahadi silver, it can feel overwhelming. What is each piece called? What does it mean? How do you wear it?
This guide explains every piece in the Ejaa collection.
Why Pahadi Silver Jewellery Is in a League of Its Own
Pahadi silver jewellery comes from the hill regions of Uttarakhand, specifically Kumaon and Garhwal. These aren't just aesthetically different styles. They carry cultural weight. Each motif, each form, was once tied to a ritual, a season, or a rite of passage.
What makes Ejaa's take on this tradition distinct is the reimagining, not a replica of the old, but a conversation between the ancestral and the contemporary. Lightweight, adjustable, genderless, and built for real life.
The Complete Types of Pahadi Silver Jewellery Explained
1. Earrings (Jhumki & Statement Drops)
Earrings are the most versatile entry point into Pahadi silver. In the traditional Kumaoni wardrobe, they ranged from small everyday hoops to elaborate chandelier-style drops worn at weddings and festivals.
At Ejaa, you'll find:
• Jhumki: the classic bell-drop form, reinvented with fine Pahadi detailing
• Studs & Small Hoops: for everyday, barely-there elegance
• Statement Drops: bold, occasion-worthy pieces that do the talking
Pro tip: Ejaa's jhumkis are adjustable and lightweight, designed so you can actually wear them for more than an hour without your ears giving up on you.
2. Pahuchi The Signature Pahadi Bracelet
Ask anyone from Uttarakhand, and they'll recognize a Pahuchi immediately. It's a traditional silver bracelet usually worn in pairs with a bold, textured surface and a distinctly mountain character.
Ejaa's Pahuchi collection spans from the Phool Pahuchi (floral motifs) to the Shank Pahuchi and the minimalist Deodar Pahuchi, each with its own story. These aren't fashion accessories. They're heirlooms made wearable.
3. Nath The Kumaoni Nose Ring
The Kumaoni Nath is one of the most recognizable pieces in Pahadi jewellery culture. Traditionally, it was large, ornate, and worn at weddings as a symbol of prosperity and marital status.
Ejaa has reimagined the Nath for how people actually live today. The modern Kumaoni Nath in the collection retains the original hoop form and intricate detailing but comes in sleeker, lighter versions wearable for fusion looks, daily wear, and festive occasions alike.
4. Neckpieces From Guluband to Matarmala
Pahadi neckpieces are some of the most culturally layered pieces in the collection. Here's what you'll find at Ejaa:
• Guluband: A close-fitting choker-style necklace, traditionally worn at the base of the neck. Bold, structured, undeniable.
• Matarmala: A longer, beaded silver necklace with a rhythmic, repetitive form. More fluid than the Guluband, equally striking.
• Janjeer: A silver chain with Pahadi character versatile enough for everyday wear, special enough to layer.
Each of these has roots in the way Pahadi women have adorned themselves for generations; Ejaa just makes them accessible and wearable in 2025.

5. Maangtika Where the Mountains Meet the Forehead
Few pieces of jewellery carry as much ceremonial meaning as the Maangtika, the head ornament that sits along the parting of the hair. In Pahadi culture, it was (and remains) a staple of bridal and festive dressing.
Ejaa's Maangtika designs honour that tradition with fine silver detailing and a form that feels timeless. Not just for brides, they're made for anyone who wants to wear something with cultural depth.
6. Mangalsutra in Silver
Ejaa's silver Mangalsutra is one of the most quietly powerful pieces in the collection. In many hill communities, silver was the preferred metal over gold, purer, cooler, and more in tune with the mountain environment.
The Ejaa Mangalsutra brings that same sensibility: understated, meaningful, and made to be worn every single day.
7. Rings & Kada
The Ejaa ring collection is a study in restraint, each piece shaped by Pahadi motifs without trying too hard to announce itself. Stack them. Wear one. Gifting one works too.
The Kada, a thick silver bangle, is genderless by design. It's one of those pieces that feels equally at home on any wrist, any occasion. Heavy enough to feel real, light enough to forget you're wearing it.
Ejaa's Four Collections: A Quick Breakdown
All these pieces are organized across four distinct Ejaa collections, each with its own character:
• Ejaa Vintage: Deep archival designs, closest to traditional Pahadi forms. For those who want the real thing.
• Ejaa Pride: The everyday collection. Wearable, modern, and quietly beautiful.
• Ejaa Statements: When you want to be noticed. Bold forms, significant pieces.
• Ejaa Weightless: Exactly what it sounds like. Pahadi aesthetics in the lightest possible silver forms.

Not Sure Where to Start?
Here's a simple way to think about it:
• If you're new to Pahadi silver → start with a Jhumki or a ring from Ejaa Pride.
• If you want something meaningful for a gift → a Pahuchi pair or a Mangalsutra is hard to beat.
• If you're dressing for a wedding or big occasion → Maangtika + Guluband + statement earrings.
• If you just want one forever piece → the Kada. Every time.
And if you need help choosing, Ejaa offers video call assistance so you can see each piece up close before you decide.
Final Thought
Pahadi silver jewellery isn't just about aesthetics. It's about knowing where something comes from, the hands that made it, the culture it carries, the mountains it reflects.
Ejaa exists to make sure that the story doesn't get lost. Every piece in this collection is a small act of preservation and a very wearable one at that.
FAQs
Q1. What is Pahadi jewellery made of?
Pahadi jewellery is made from pure silver, either 92.5% sterling or 999 silver. At Ejaa, every piece is crafted in pure silver, built to last and gets more beautiful with age.
Q2. What is a Pahuchi, and why is it significant?
A Pahuchi is a traditional silver bracelet from Uttarakhand, worn in pairs during festivals and weddings. Ejaa has reimagined it for modern wear with the same original motifs, but lighter and adjustable.
Q3. Is Pahadi silver jewellery only for women?
No, and this is something Ejaa is quite intentional about. The collection is genderless by design. Pieces like the Kada, chains, and rings are made to be worn by anyone. The traditional Pahadi aesthetic has always had an earthy, universal quality to it. Ejaa simply makes that explicit.
Q4. How is Kumaoni jewellery different from other Indian silver jewellery?
Kumaoni jewellery uses motifs from mountain nature and spirituality unique to the hills. Pieces like the Pahuchi, Guluband, and Matarmala are found nowhere else. Ejaa works from 200-year-old moulds, keeping the designs as authentic as possible.
Q5. How do I care for Pahadi silver jewellery?
Keep your silver dry and away from perfumes or chemicals. Wipe it gently with a soft cloth after wearing. Don't over-polish oxidized pieces; the dark finish is intentional. With simple care, Pahadi silver only gets better with time.
















